Stan Brakhage is one of the most influential filmmakers in American avant-garde cinema, noted for his unflinching social commentaries and technical innovations. Over his nearly 40-year career, he has made over 200 films of varying length. He made his first film, Interim (1952) at age 18 after dropping out of college. Brakhage films seek to change the way we see. They encourage viewers to eschew traditional narrative structure in favor of pure visual perception that is not reliant on naming what is seen; rather his goal is to create a more visceral visual experience, for he believes that a "stream-of visual-consciousness could be nothing less than the pathway of the soul." To this end, his films are shot in highly sensual colors and utilize minimal soundtracks. His work can be divided into distinct periods. His first short films explored the properties and possibilities of light. In many of his experimental ventures, Brakhage has forgone traditional cinematography in favor of working d...
Cannibal! The Musical
1996
Jonas in the Desert
1994
Invocation: Maya Deren
1986
Birth of a Nation
1997
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
2000
In the Mirror of Maya Deren
2002
Diaries, Notes, and Sketches
1968
The Extraordinary Child
1954
Filmmakers
1969
Cat's Cradle
1959
Doodlin': Impressions Of Len Lye
1987
Window Water Baby Moving
1959
Wedlock House: An Intercourse
1959
Prelude: Dog Star Man
1962
Garden Path
2001
Encomium
2003
Faust's Other: An Idyll
1988
Trumpit
1956
Free Radicals: A History of Experimental Film
2011
Looking at Forest of Bliss
2000
Joseph Cornell: Worlds in a Box
1991
For Stan
2009
Song 1
1964
Flesh of Morning
1956
Dog Star Man
1965
Brakhage
1998
Reflecting Thought: Stan Brakhage
1985
Grand Opera: An Historical Romance
1979
Sonic Youth: Koncertas Stan Brakhage Prisiminimui (April 12, 2003)
2003
Reality's Invisible
1972
Dog Star Man: Part I
1963
The Art of Vision
1965
Keeping an Eye on Stan
2003
The Stars Are Beautiful
1974
Dog Star Man: Part II
1964