A major figure of the American avant garde, Shirley Brimberg Clarke (1919-1997) was born into privilege as the daughter of Polish-Jewish immigrants who made their fortune in manufacturing. Rebelling against a repressive bourgeois upbringing, Clarke turned first to dance, and later film and video, to express her distinctive vision of the world. Moving freely across genres and media throughout her career (and often within a single work), Clarkeβs cinema explores the porous boundaries between narrative and documentary filmmaking, and film and other media, such as painting, dance, performance and video. Her 1960s features The Connection (1961), The Cool World (1963) and Portrait of Jason (1967), for which she is arguably best remembered, address issues of urban alienation, poverty, addiction and racism, focusing on lives lived at the margins of American society. Fearless in both her personal and creative life, Clarke produced a body of work that is as formally innovative as it is rooted...
He Stands in a Desert Counting the Seconds of His Life
1986
Sex Stars
1976
Alien Blood
1999
Underground New York
1968
Lions Love
1969
Birth of a Nation
1997
Diaries, Notes, and Sketches
1968
Portrait of Jason
1967
Galaxie
1966
Rome Is Burning: Portrait of Shirley Clarke
1970
Happy Birthday to John
1997
Shirley Brimberg Home Movies (When She Was Young)
1927
Bill's Hat
1967
As Kineastas
1986
Shirley Clarke: The Artist with the Lens
2016
Home Movies #18 Florida
1943
Home Movies #15 Shirley with Camera
1950
Home Movies #10 Wedding and Pregnancy
1943