Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Pink Physical Examination
1985
Chikan densha: Iyarashii kôi
1993
Groper Train: Start at the Back
1987
Tokyo Elegy
1999
Cruising Love Story
1991
Autumn
2016
Zetsukin gyaru: Yaruki munmun
1985
Cross the Lens
2006
Wakazuma Misshitsu Bôkô Jiken
1985
Female Prisoners: Brutal Treatment
1984
I Stand Alone - SEX & LOVE
1996
Groper Train: Final Stop
1986
Japanscope, panorama de la nouvelle Nouvelle Vague
2015
In The Sea of Trees
N/A
I'm Being Watched: An Interview with Hisayasu Sato
2026
Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
2026
Escape 3: An Interview with Hisayasu Sato
2026
Lost in the Bedroom: An interview with Kyôko Nakamura
2026
Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
2026
Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
2026
Revenge in S&M: An Interview with Hisayasu Sato
2026