Vito Acconci (January 24, 1940 – April 27, 2017) was an American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as public–private, consensual–nonconsensual, and real world–art world. His work is considered to have influenced artists including Laurie Anderson, Karen Finley, Bruce Nauman, and Tracey Emin, among others. Acconci was initially interested in radical poetry, creating 0 to 9 Magazine, but by the late 1960s he began creating Situationist-influenced performances in the street or for small audiences that explored the body and public space. Two of his most famous pieces were Following Piece (1969), in which he selected random passersby on New York City streets and followed them ...
Burden
2016
Chelsea on the Rocks
2008
Revenge of the Mekons
2013
Journeys from Berlin/1971
1980
Two Takes
N/A
The Golden Boat
1991
Body Art
1975
14 Americans: Directions of the 1970s
1981
The Art of Time
2009
Turn-On
1974
The Red Tapes
1977
Three Adaptation Studies
1970
You're Going to Die!
2006
Claim Excerpts
1971
Steven Holl: The Body in Space
1999
Association Area
1971
Flour/Breath Piece
1970
Digging Piece
1970
Gargle/Spit Piece
1970
Aktionskunst International. Dokumente zum Internationalen Aktionismus
1989