Chandramohan (1905β1949) was one of the most compelling and charismatic actors of early Indian cinema, known for his piercing eyes, expressive intensity, and command over dialogue delivery. Born in Narayangaon, Maharashtra, he began his film career with Amrit Manthan (1934), directed by V. Shantaram, where his performance as a scheming high priest instantly established him as a powerful screen presence. His aristocratic features and theatrical background made him a natural fit for historical and mythological roles. He became a mainstay in major productions throughout the 1930s and 40s, notably in Pukar (1939), where he played Emperor Jehangir with a complex blend of authority and humanity. Chandramohan was often cast in morally ambiguous or villainous roles, yet he brought a rare psychological depth to each characterβwhether as a tortured prince, a tyrant, or a tragic antihero. His performances in Roti (1942), Humayun (1945), and Shaheed (1948) are especially remembered for their ...
Humayun
1945
Beyond the Horizon
1937
Preet
1945
Ramayani
1945
Taqdeer
1943
Ram Baan
1948
Nursemaid Panna
1945
Jwala
1938
Amar Jyoti
1936
Shaheed
1948
Jhankar
1942
Pukar
1939
Shalimar
1946
Bharosa
1940
Roti
1942
Shakuntala
1943
Bade Nawab Saheb
1944
Naukar
1943
Raunaq
1944
Amrit Manthan
1934
Apna Ghar
1942
Dharmatma
1935
Mumtaz Mahal
1944
Fashion
1943