Rogério Sganzerla (1946 — 2004) was a Brazilian filmmaker and one of the main names of the Cinema de Invenção (or Cinema Marginal) underground movement. Influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, Sganzerla often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics. Sganzerla was born in Joaçaba, in the state of Santa Catarina, but moved with his family to São Paulo at a very young age, living there for most of his life. During the 1960s he wrote for the newspaper "O Estado de S. Paulo" ("The State of S. Paulo") as film critic, quickly being recognised as a young talent. In 1967, Sganzerla directed his first short film, "Documentário" ("Documentary"), winning an award at the JB-Mesbla 16mm Festival. "Documentário" was quickly followed up by his first feature-length film in 1968, "O Bandido da Luz Vermelha" ("The Red Light Bandit"), which became a landmark for the movement k...
Brazilian Cinema in the 20th Century
2017
Belair
2009
Candango: Memoirs from a Festival
2020
Welles' Language
1990
The Long Voyage of the Yellow Bus
2023
The Red Light Bandit
1968
Glauber Rocha - The Movie, Brazil's Labyrinth
2003
Audácia!
1970
The Good Cinema
2021
Extracts
2019
Torquato Neto, O Anjo Torto da Tropicália
1992
A Miss e o Dinossauro
2005
Mr. Sganzerla: Os Signos da Luz
2012
Horror Palace Hotel
1978
Copacabana, Mon Amour: A Restauração
2014
Identidade
2026
A Mulher da Luz Própria
2019
Noel por Noel
1981
Ivan, the TerrirBle
2020
A Marca do Terrir
2005
Rogério Sganzerla Send His Message to Brazil
1991